Before grounding his life fully in art, he spent two decades working with complex biological and technological systems. As co-founder of a contract research firm, he witnessed firsthand how bodies and devices meet. This perspective continues to shape his artistic thinking, not as a credential but as a sensibility.

After the company’s acquisition, Bart completed his training as a painter at the Royal Academy of Fine Arts in Antwerp, where he developed a visual language shaped as much by materials and gesture as by the logics of living systems.

Today, through INORGANIC LIFE, he creates autonomous aesthetic entities that behave as if they were alive - works that linger in the space between the grown and the built, the organic and the constructed.

Prelude to The Huddle is his current installation that serves as the foundational research phase and scalable prototype for The Huddle, a future, full-scale commission envisioned to feature over 50 autonomous agents within a site-specific architectural scenography. This expanding body of work reflects on contemporary social, political, and economic dynamics through a hybrid world of robotics, artificial ecologies, and narrative forms, embodying his ongoing interest in systems that gather, evolve, and negotiate their place in the world.

Bart Segers is a Belgian visual artist and entrepreneur whose practice moves at the intersection of art, technology, and science.